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I count on you need to do one in every of two issues:

• You need your imaginative and prescient to maneuver alongside your movement graphics
• You simply desire a movement graphics overlay

So let’s get straight into these two workflows!

1. Deliver Movement to Your Sequence

Right here in Resolve you’ll see I’ve a mission lined up that’s just about image locked and is simply ready on some movement graphic thrives to carry it to its last deliverable state.

For the needs of this tutorial we’re simply going to take a look at the intro part.

For possibility one, the place we would like to have the ability to transfer our imaginative and prescient alongside our graphics, these are the steps that I take:

In and Out Factors

First off it is advisable set your out and in factors for simply the part you need to work on (ie: the part you’re planning to carry into After Results). You are able to do this by dragging the handles or hitting I and O in your keyboard together with your playhead within the right spot.

Settings

Subsequent, head on over to the ship tab. We need to give attention to the left facet of the display screen, on our Settings. As a result of I’m going to be manipulating this footage over in After Results I need to be certain that I‘m sending it the very best high quality photos attainable. For that reason it’s necessary to ensure your color grading is finalised earlier than sending something over to After Results.

I digress..

Again within the Settings panel, slide the presets over till you see the ProRes part. Render as a single clip, and for the format choose QuickTime. The codec is Apple ProRes and the kind is 4444.

4444 has a a lot deeper bit depth and color sampling than 422—it’s a tiny distinction, however does give us extra information to work with and we’re making an attempt to roundtrip this footage within the least damaging approach attainable.

Set your Decision and Body Price. When you’re planning to ship your mission in 4k that is the time to set that export accordingly. It’s also possible to set Fixed Bit Price right here.

Render

Okay, ship this throughout to the render queue and get rendering!

Pull Your Render Into After Results

Let’s now go on over and open up After Results. As an alternative of opening up a brand new composition, I’d such as you to tug your freshly rendered footage from the file browser into the mission window on the left. As soon as it’s in there, you possibly can drag it on high of the little Composition button on the backside.

Voilà! You may have your self a composition which is similar decision, body charge, and size as your render from Resolve.

Time for Some Movement Graphics!

On this instance I’ve added some titles, some decrease thirds, some thrives, and extra importantly I’ve added movement to the footage we introduced over from Resolve.

As soon as we’re proud of this movement sequence, earlier than we ship it over to the render queue after which get it into Resolve, we’d like to ensure our out and in factors are nonetheless set appropriately (which they are going to be until you’ve performed with them). 

Be sure that the composition is chosen on the backside or within the mission window, then go to File > Export > Add to Render Queue. Down within the render queue simply go away it on Finest Settings, and on the dropdown subsequent to Excessive High quality choose Lossless. Once more, we’re going for beefy right here, to be as non-destructive as attainable.

Choose the output vacation spot, hit Render, and…wait!

Again to DaVinci Resolve

Again within the edit tab of DaVinci Resolve now, all it is advisable do is carry that freshly rendered composition from the file browser into the media pool. Then double-click that file to open it up within the preview window, and click on this button right here to pick the imaginative and prescient solely and drag it down onto your authentic footage.

There are buttons and hotkeys to do that half, however I discover this handbook method affords just a bit extra management.

Additionally, it’s price noting that I’m solely dragging the imaginative and prescient down right here. I’m not touching the audio because it’s already right here in Resolve, untouched. After Results is good at many issues, however dealing with audio will not be one in every of them!

And We’re Executed!

So there we now have it! We now have this sequence in as excessive a high quality as attainable, round-tripped between the 2 packages, and it’s again within the edit, prepared for export and supply.

2. Create a Movement Graphics Overlay

The second possibility, the place we simply desire a movement graphics overlay, is mainly the identical set of steps with simply a few totally different turns alongside the best way. When you aren’t going to maneuver any of the footage—you simply need an overlay, like titles or decrease thirds, however you need to time it with the footage in Resolve, whenever you do your preliminary export out of Resolve here’s what I’d such as you to do:

Don’t Go For ProRes 4444

As an alternative of choosing ProRes 4444, this time simply go for a bog-standard H264 MP4 file and preserve it at 1080p.

The one factor you do should be certain of is that the body charge matches, in any other case you’ll find yourself with some mismatched timing. Ship that to the render queue and let’s get it over to After Results.

New Composition

At this stage it’s mainly the identical course of, I even need you to create a brand new composition based mostly off the h624 file (like we did with the ProRes one). That is only a fast technique to get the size and body charge right. When you’ve dragged your file over the New Composition button, you’ll have your new composition, however if you happen to’re ending in 4K that is the place you’ll must set the specified decision.

To do this right-click the canvas and choose Composition Settings so you possibly can change the decision. On this case we’re going to vary issues to a 4K composition, and also you’ll see our little 1080p scratch file is abruptly dwarfed by its container. That is a straightforward repair—simply blow the size up till it matches the body!

The great thing about this methodology is that we don’t have to fret in regards to the high quality of the ultimate footage, as a result of it received’t be leaving After Results from this level on.

Export Accomplished File

So, again to our full timeline, and earlier than we ship it to the render queue we simply want to show off this base imaginative and prescient layer, so we’re solely seeing the overlay.

We will double verify this by toggling the transparency grid on and off right here:

When you’re seeing the grid you’re doing it proper, and if you happen to’re seeing a strong color background one thing has gone unsuitable.

That carried out, let’s ship it to the render queue like we did earlier than, however this time as an alternative of choosing Lossless, choose both Lossless with Alpha, or Excessive High quality with Alpha (the Alpha is the necessary half right here). Choose your output vacation spot and ship it off to prepare dinner!

Again in DaVinci Resolve

Let’s now repeat the very same methodology as earlier than: drag our render into the media pool, double-click to carry it into the Preview window, drag simply the imaginative and prescient down and place it onto a transparent monitor above the others.

That’s a Wrap!

And there we now have it! After Results movement graphics in DaVinci Resolve; the spherical journey.

Another tip earlier than we go—for this course of be sure to are on high of your file naming conventions, particularly your versioning numbers! This fashion it’s straightforward to leap between the 2 packages, making incremental modifications.